(Contains spoilers for the ninth century.)
So it’s been quite a while since I last updated my ongoing account of watching Vikings. And in that time, well … a lot has happened. The fourth season is now wrapped up and things are pretty different from back when they started. Honestly, back in season one I assumed that the plot currently developing — the death of Ragnar and the invasion of England by the “Great Army” — was going to be the main plot of the whole series, but now we’re halfway through the second part of season four, a group of episodes that I still maintain is actually season five. So let’s get down to it.
Now, I thought the first part of this season — oh heck, let’s call it season 4.1. 4.1 boldly hacked away all the plots no one gave a crap about, like Yidu and whatever Odo was up to, killed off the characters and forgot about them. But it looks like 4.2 is warming up to kill off all its main characters and replace them with an entirely new generation. Ultimately the show is gonna be about Alfred vs the Ragnarssons.
Now, that is very in keeping with the idea that this is a saga, isn’t it? A generational story full of revenges and curses and what have you. If you were going to make a Viking story, that’s the kind of story you would make, even if the details don’t marry up with any particular saga or any particular series of historical events.
But it’s an odd kind of television series. Actually, now that I think about it, I suppose that’s very close to its most obvious model, Game of Thrones, which has shed quite a lot of main characters and gained new ones along the way. Still, Game of Thrones does keep a number of its leads from its first series, while by the time this is done there’s going to be almost no one left in this thing. Like I said, interesting.
As always, the historical accuracy is pretty … approximate, and the costumes and sets are more Skyrim than early middle ages. It continues to look good — it’s well shot, and they’ve clearly spent some money on it. The writing still lags behind the production, although many of the performances are excellent.
Anyway, I have six or seven episodes to cover, so I will just give a quick overview of the points that caught my attention:
- I do like the way that they have sort of split up elements of Ragnar’s personality among the sons: Ivarr the devious little bastard, Bjorn the warrior, Ubbe the politician, Sigurd and Hvitserk the … other ones. UPDATE: I guess Sigurd is the sensitive one.
- The geography of the show continues to be maddeningly unclear. In this season they talk as if they’re from Norway, but I could swear that in previous seasons they were in Denmark. Hedeby is undeniably in Denmark, despite its icy mountainous landscape. They talk about Sweden as if it’s the moon — people have come from as far away as Sweden! — but didn’t they go to Sweden back in season 1?
- Egbert remains simultaneously interesting and infuriating as a character. Writers often want to make a character devious but struggle with the external constraints that would make that deviousness work, since that kind of worldbuilding is not considered to be good television.
- I like the way Lagertha’s shieldmadiens have turned into a sort of elite corps/personal bodyguard in an army that otherwise includes both women and men.
- I assume Ivarr wears a scarf over his face when riding his chariot to hide the fact that he’s a stunt double most of the time?
- Harald’s love interest(ish) is called “Elisif,” which I always thought was a Norse way of saying “Elizabeth,” which is weird in a pagan culture, no? Also, is it just me or does that plot go precisely nowhere? It’s not like the narrative isn’t pretty crowded already.
- Gustaf Skarsgard has been the high point of pretty much each season, and nothing changes in this one.
- I do like the idea that political and military turmoil back home happens when the army is off invading places — this was a very real feature of medieval warfare.
- Aelle is, once again, a circumstantially convenient idiot. He’s totally taken aback by the size of the Ragnarssons’ army, because … his guys who spotted the attacking force don’t know how to count ships and multiply them by the number of dudes in a ship? Again, the “heroes” get to look good by the simple expedient of having their opponents take a dive like idiots. See also breaking formation to do a wild infantry charge at approaching cavalry.
- Rituals and magic continue to be eerie and interesting. Is this the first time this series has had genuinely supernatural omens? I mean, Harbard was left ambiguous as best I remember, but to be honest I wasn’t really paying attention after he turned out not to be a trash-talking magic ferryman like the actual Harbard.
- The destruction of the Winchester sets we’re so familiar with is surprisingly moving.
- In terms of defensive strategies in a town made of wood and thatch, starting a huge fucking fire seems like it should be toward the bottom of the list, but filmmakers are obsessed with the idea of lighting things on fire.
- Aw, poor old Torve. Didn’t see that one coming ha ha j/k they gave her a line about how she would definitely see Bjorn again. What did we think was gonna happen?
- Hey, it’s Jonathan Rhys-Meyers! Playing The Sex Bishop! That’s not what I think of when I think of Saint Heahmund but to be honest I have never really thought of Saint Heahmund until this very minute, so.
- Main character death count so far: Aslaug, Ragnar, Helga, Egbert. Not-main-but-important characters dead: Aelle, Torve. Who-gives-a-shit characters dead: Egil, Elisif, whatsername (aside: if this show was gonna have only one Muslim character, I don’t know about making her a war orphan / suicide knifer, no matter how richly Helga deserved it). Are the only characters left alive from Season 1 Floki, Rollo and Lagertha? I mean, OK, Bjorn was in Season 1, but different actor. Was Aethelwulf in Season 1? I don’t remember.
- Perhaps all my criticisms simply amount to “it looks good but don’t think about it too hard.”