So Narcos is this show Netflix keeps trying to push as some kind of big prestige drama, but nobody I know seems to be watching it. I thought I’d give it a spin, since these days shows set in the 80s and early 90s are historical shows. And it’s … interesting.
It’s a bold move, frankly, and I’d be interested to know more about why Netflix decided to make it the way they did — are they pushing into Spanish-speaking markets? Because, I mean, this thing doesn’t have anyone really famous in it, and about two thirds of it is in Spanish. Which makes sense, but it’s not exactly a formula for success in the Anglophone world.
It’s a dramatisation, not a historical retelling, and it’s up-front about that fact. Some of the characters are real, but others are fictitious or based on real people. So the reporter, Valeria Velez, is based on a real reporter, Virginia Vallejo, but their fates are very different between the show and real life. Similarly, Colonel Carrillo from the first part of the show is fictitious, while the guy who replaces him, Colonel Martinez, was real.
There’s an American POV character who is treated like the hero of the story to begin with but whose importance declines as it goes on; he kind of reminds me of Marco in Marco Polo, the increasingly unnecessary point of viewer identification. But the main attraction is clearly Wagner Moura as Pablo Escobar, and he’s good.
Its most obvious model is The Wire — a crime drama that’s really an exploration of a particular setting built up of many small strands — and like that show it also succeeds in evoking a look and feel in a way that’s impressive (I mean, I wasn’t in Colombia in the 80s, but this feels like it could be what that looked like).
It also showcases some of the flaws in historical storytelling on television, especially in the contrast between its first and second seasons. The second season covers a year or two in which the cops, rival drug cartels and paramilitaries are all hunting for Escobar after he escapes from jail. It’s a relatively short period of time with a cast of characters many (though not all) of whom were developed in the first season, and it’s compelling. But it comes at the expense of a first season that covers over a decade of history and has to introduce almost all of those characters. As a result, the first season feels a little more disjointed and grab-baggy. It has a lot of great scenes and performances, but it’s the weaker of the two — which is a shame, since it’s the first one people will see.
Anyway, it’s definitely worth watching as long as you either don’t mind giving a show your full attention or speak Spanish.