I have only watched one episode of Frontier, the new Canadian historical drama showing on UK (and presumably other) Netflix, so this isn’t really a review of the show. It’s more of a commentary on what on earth is happening in the world of entertainment and what that means for historians and history lovers.
So, first things first, I don’t know if this show is any good yet. It is definitely an attempt to fit into the gritty-historical-violence school of things. I watch Netflix shows with the subtitles on, and the captions were all bloodcurdling scream and wet stabbing sound for much of the show. It starts with three dudes getting their throats cut and pretty much goes from there. So it’s definitely going for that Rome / Game of Thrones audience, I suppose. Jason Momoa plays a half-Irish, half-Native American fur trapper operating rogue outside the limits of the Hudson’s Bay Company monopoly, with Alun Armstrong as the Company official sent to stop him. Those are your big names (well, apparently Raoul Trujillo is also in it) but then there are various scrappy thieves, drunk priests, up-and-coming businessmen, world-weary barkeeps, ambitious young officers, desperate Native American warriors, beardy voyageurs and so forth in the rough and tumble 18th-century wilderness.
Now that sounds like a pretty good premise for a show, and it’s entertaining enough, although pretty predictable for the most part. But what is completely bizarre is that I stuck this thing on my Netflix list and later that day said to my wife “oh, I added this new show where Jason Momoa and Alun Armstrong play fur trappers in 18th century Canada.” I mean, just think about that statement. That is nuts.
It’s not that there have never been historical television shows before; of course there have, your I, Claudii and so on. The BBC churned them out to a consistently high standard. And there are definitely certain genres that keep recurring: westerns, for instance. But I do think it’s weird that there’s a … what looks like a relatively high-budget … adventure show about fur trappers in 18th-century Canada. I mean, at least Black Sails is about pirates. Everybody loves pirates. Do Canadians think about fur trappers in the same way as everyone else thinks about pirates? Canadian readers of this blog, I’d love to know. Because, I mean, I’m going to watch it, obviously, but it seems like a tough pitch for most people. Or maybe the pitch is just Jason Momoa smouldering at the camera.
It just seems like an era for this kind of thing, and in a way that is sad, because it means that some quite good shows get left behind. It’s like … if you had told 12-year-old James that in his adulthood there would be so many DC Comics TV shows that he literally wouldn’t have time to watch them all, he would have laughed at you. But it’s true! And there are more coming! And the same applies to weird little historical dramas. Of course, thanks to Netflix I can just stick ’em on the list and catch up at my leisure. Perhaps that’s the difference; with a transformed model of TV viewing, you can target directly to your history buff audience or what have you.
I don’t know; I just thought it was an interesting example of a change I’ve been noticing.